Show the product doing its job
Product films for brands selling something a buyer needs to understand before they will pay for it.
A pro-aging supplement in a category buyers approach with suspicion. We made it feel like something you would actually take.
A pacifier designed to help a baby breathe more easily. The film had to explain the mechanism in seconds, to a parent holding a baby.
Our Work
Hyundai · VR Factory Tour
BioLegend · Corporate Documentary
ESET · Brand Campaign
Chicco · TV Commercial
Infinera · Corporate Film
Zotac · Play Big
SPY · Product Promo
QCells · Brand Promo
DuChateau · Linaire
Solar Gard · Dagin in the Desert
Artiva · Promo
Lytics · Motion Graphics
DB CyberTech · TV Commercial
Virtual Field · Product Film
Consumer Fusion · Promo
GreenFat · Brand Film
SuperMouth · Branded Film
iLife · Product Film
Paper Airplane · Commercial
BioLegend · iAct Promo
A buyer comparing three options gives each about eight seconds. If your film does not answer what it is, what it does and why it beats the other two in that window, the comparison ends without you.
That is the whole reason to shoot properly. Not gloss, clarity.
Controlled lighting, macro detail, and the angles that matter to somebody deciding. We shoot in our own San Diego studio on a cyc wall or seamless, or on location when the setting is part of the sell.
Every product gets cut for the placements you are actually using: your site, your ads, your marketplace listings.
Multiple angles per product, clean backgrounds, cut out and sized for Amazon, Shopify and your own store. Shot in batches so the cost per product falls as the count rises.
A launch needs more than one film. We shoot the hero, the demo, the social cuts and the stills in a single block, so the campaign lands everywhere at once instead of trickling out over a month.
It shows the thing in use, not on a turntable. It answers the objection the buyer has not said out loud yet. It looks like your brand rather than like a stock template. And it is cut for every placement before the shoot ends, not adapted afterwards.
Our Focus is Always on Your Brand
We make sure every concept grows directly out of the product.
Ads built for the platform they actually run on. Cut to length, framed for the feed, and delivered in the variants your media buy needs before the campaign goes live.
Show the product doing its job. We shoot the details that matter to a buyer comparing three options, then cut versions for the site, the ad and the sales deck from one day.
Ninety seconds that replace a twenty-minute meeting. We find the one idea your audience needs first, then build everything else around making it land.
Your best customers saying the thing your sales team keeps having to prove. We handle the questions, the setup and the edit, so they only have to turn up and talk.
Mission, culture and expertise, told without the corporate hum. Built for investor decks, recruitment pages and the all-hands, from one shoot rather than three separate ones.
Stills from the same crew, on the same day, under the same lighting and art direction. Your campaign gets video and photography that look like they belong together.
Multi-camera coverage that keeps earning after the room empties. Keynote captures, session recordings, sizzle cuts and social clips, all scoped before the doors open.
Training people finish rather than skip. Clear structure, consistent delivery, and modules you can update in sections instead of reshooting the whole thing next year.
Broadcast-grade craft, whether it airs on television or lives on a paid social feed. Concept, casting, crew and finish, handled by one team from the brief to the master.
Short-form built for launches, events and campaign pushes. Fast to turn around, cut for every placement you need, and made without dropping the production standard.
What to ask before you hire anyone
It depends on scope. A single product on a clean background is a different job from a launch film with talent and locations. We price against the brief rather than a rate card. Full package pricing is published on our video production pricing page.
Two to six weeks depending on complexity. Simple product films move fastest because there is less to agree before the shoot. Rush is possible when the launch date will not move.
We work with companies of every size, from a single product launch to an ongoing catalogue. What changes is the number of shoot days, not the crew or the standard.
Yes, and it is the cheapest way to buy product video. One lighting setup, one crew day, many products. The per-product cost drops sharply after the first few.
Yes. Vertical cuts for feeds and stories, square where it still applies, with the hook in the first two seconds because that is where most viewers decide. Cut from the same footage as the main film.
Bring us the product, the buyer and the deadline. We will tell you what it takes and what it costs.
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